#The blue max full movie plus
On the plus side, the filmmakers do keep things rather lively on the ground as well, with an elegant shooting style, a few solid trench battle scenes, and one particularly mesmerizing moving shot during the film's climax. Unfortunately (but understandably), not all of the aerial footage is filmed in the actual air, and various studio shots and optical composites do tend to stick out like a sore thumb. These action sequences can be quite spectacular and feature truly impressive stunt work and exciting camera angles, giving the audience a real visceral sense of speed and altitude that takes full advantage of the CinemaScope frame.
#The blue max full movie movie
Thankfully, outside of some notable lulls in the pace and a few scripting concerns here and there, the movie does manage to soar very high during its numerous aerial battle scenes. Likewise, a good deal of the runtime gets dedicated to Stachel's burgeoning romance with Ursula Andress' Countess Kaeti von Klugermann, and while their paring can be amusing, some aspects of their courtship and its attempts at humor are a bit outdated. Their competition begins somewhat playfully, but eventually takes on more weighty stakes. Surprisingly, however, members of his own squadron are not always so lucky, and Stachel's contentious relationship with Willi becomes the source of most of the film's drama. With that said, despite his unpleasant personality, he remains an interesting and refreshingly atypical protagonist, and there are fleeting moments when the man does show some signs of humanity, revealing attempts at chivalry and respect toward his enemies.
Egotistical and blinded by his own need to prove himself, the character gradually becomes more unlikeable as the runtime goes on, escalating his cocky attitude the more he climbs up the ranks. Though he lacks much in the way of range and isn't always as convincing as he needs to be, George Peppard plays Stachel with an appropriately vain edge. Now caught in a dangerous physical and emotional dogfight, Stachel will risk everything in order to prove that he truly is the best. As a rivalry begins to develop between the young pilot and the aristocratic Willi von Klugermann (Jeremy Kemp), Stachel's pursuits begin to expand beyond just the air, and soon he finds himself trying to woo over Klugermann's lover (Ursula Andress). Ruthlessly ambitious and determined, Stachel becomes obsessed with outgunning his colleagues and sets out to achieve the most kills in his squadron so that he can win the prestigious Blue Max honor.
Hunter, the script follows an arrogant German soldier, Bruno Stachel (George Peppard), who joins his country's fighter pilots on the Western Front during WWI. The narrative never soars quite as high as the visuals, but the film's conclusion leaves a surprisingly strong impression, subverting a typical hero's journey into something much more cynical, original, and engaging… even if you do constantly want to slap the main character's smug smile right off of his dumb, grinning face.īased on the novel of the same name written by Jack D. Thankfully, this potentially risky tactic proves to be rather inspired, and though there are some notable issues here and there, the movie ends up delivering a genuinely interesting anti-war message that is bolstered by some absolutely breathtaking aerial stunt footage. Apparently, however, somehow director John Guillermin didn't get this memo when making 'The Blue Max.' Instead of a typical stalwart hero, our main character is… well, kind of a jerk. This makes it easy and painless for audiences to relate to and root for them without any complicated moral quandaries (I mean, who wants those, right?). There's basically an unwritten rule in Hollywood that states that movies are always supposed to feature likeable protagonists.
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